Au Hasard Balthazar (1966) is the seemingly simple yet profoundly moving tale of a donkey in rural France. Passed from one owner to the next, treated in turn gently and… »
This cinematic essay posits science fiction (with tropes such as alien abduction, estrangement, and genetic engineering) as a metaphor for the Pan-African experience of forced displacement, cultural alienation, and otherness. Akomfrah’s… »
“The Nebula – a documentary. That is, a compilation, a presentation. A film about sound, a film about words, a film about interpretation and misunderstanding.” A number of… »
Two life stories intersect when the legendary underground film director Masao Adachi join the Japanese Red Army (JRA) in Libanon in the early 1970s and becomes a father figure of May Shigenobu… »
They are standing there, a small family, about to leave. One child whines. They look right into the camera. They have decided to leave the country and the district where they can not… »
With an introduction by Frans Gillberg and Mathias Holmberg.
In connection with the opening of this year’s sound installation in Scaniaparken (Starfield Simulation #35), Signal – Centre for Contemporary Art, in collaboration with Music Doc,… »
In conjuction with the exhibition Breaking Point: Kathryn Bigelow’s Life in Art that traces Academy Award winner Kathryn Bigelow’s presence in the art world in the 1970s in New York and her collaboration with Lawrence… »
In conjuction with the exhibition Breaking Point: Kathryn Bigelow’s Life in Art Signal and IFEMA – International Female Film Festival Malmö organise a film screening of Lizzie Borden’s… »
Rashomon (1950), 88 min.
Screening of Akira Kurosawa’s Rashomon in connection with the exhibition I Läsning / In Reading by Kari Mjåtveit.
ÅMX.06 (Århus Malmö Exchange Programme 2006) in collaboration with exhibition space Signal invites you to the ÅMX.06 Midsommar Flicks, which takes place in the form of evening film screenings between 16-18 June 2006. Eight films relating to the… »
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